Guest Blog: Merge Arts Festival - On Aspiration.
For too long, Hull has been an under-achieving city with low aspirations. But that’s hardly surprising considering the poor jobs market and decline of the city’s economy: what have young people in Hull got to aspire towards? Try hard at school and you’ll get a good job? If you’re lucky. It can easily seem as though there’s nothing to aim for, and nothing to be proud of.
But go back about a century, and Hull was a thriving port city, benefiting from the trade of the world’s leading superpower. Have a wander round the Guildhall and look at the busts of the mayors and aldermen commemorated there – it’s no coincidence that many of them were active in the late 1800s and early 1900s. Alongside them, we have a statue of King Edward I, who granted Kings Town upon Hull city status in 1299, and Wilberforce, the MP largely responsible for the legal abolition of slavery. The city’s creator and its own most famous creation – that’s the kind of level the bunch of Victorian mayors are being pitched at.
The civic pride the city had back then can be seen in the architecture; it takes a wealthy city with some real self-worth to commission and build the Guildhall and Hull City Hall, both completed at the end of the Victorian/Edwardian era. Since then, what has the city produced architecturally? The tower blocks in Orchard Park are classic examples of the 1960s’ one-size-fits-all uniform housing; cheap, uninteresting and uninspiring. Newer buildings like The Deep and the Hull History Centre indicate a rebirth of confidence, but the current global economy is hardly encouraging that. The History Centre, I believe, holds a part of the solution to these problems; a repository of knowledge with which we can understand the past that has shaped the city and made it what it is today – and with that understanding of our past and present, we can work toward improving the future.
But how do we make those archives available and accessible to people? The History Centre already does some sterling work on this; check out their website for details about the courses they run, and for all the help they can give people who want to research local or family history. As an artist I wanted to be able to reflect the archives’ content creatively and to open them up to people that way. For me, it makes the documents and the history more alive and perhaps more immediately accessible, especially for people who don’t feel that poring over dusty papers is going to be interesting. The archives in the History Centre are a perfect window into the city’s past and so the event I’m organising in June is a creative reflection of them. It’s called the Merge Arts Festival, and the strapline is ‘Our City, Our Story’ – because it’s not just my creative response to those archives; there are a few different voices to be heard, and it’s the audience’s city and story too.
We’re working with local publishers Valley Press on workshops to help aspiring writers to research and write poems or stories based around the archives (and publish them as part of our book about local history and the festival itself). Fresh Ink, the regular open mic night at Hartley’s on Newland Ave, will have a local history theme on June 6th, and on June 8th our jazz and folk night is a nod toward Philip Larkin’s time as a jazz critic. On June 9th we’ve got a photography feature on the Larkin25 toads, and performances of dance reflecting WWII’s impact on the city along with a play about the life of Winifred Holtby – author of the novel South Riding, recently adapted by the BBC. These will be accompanied by an exhibition by the Brooklands Photographic Society, whose photos will demonstrate changes in Hull over the last hundred years or so.
The biggest and final event is in Hull City Hall. We’ve created an orchestra and choir of performers from across the region, to play our Humberside Folk Song Suite and Beethoven’s 9th Symphony. The folk songs have been handed down over decades (they come from Grimsby as well as Hull, so we’ve gone with the controversial ‘Humberside’). Beethoven’s Ninth is all about universal harmony and overcoming adversity – that’s exactly what the Merge Arts Festival has always been about too; the name is Merge for a reason.
It’s ambitious, perhaps, and can never be more than a small part of changing attitudes toward and within Hull. But it’s our contribution to celebrating Hull’s heritage, and goes hand-in-hand with other efforts across the region. It may be ambitious, but how else are we going to stretch the expectations of this city, inspire future generations, and make young people believe they can do more and have more?
If Hull is to be an aspiring city, a city worthy of pride, its youth has to be stimulated, involved and engaged in the arts, in culture, in sport and in education. With the way things are going, they’re going to need all the inspiration they can get.
Thanks for reading. Richard Watson - Merge Arts Festival
We’d like to thank Richard for his contribution and wish the whole Merge Arts Festival crew good luck.
If you would like to contribute to HullRePublic please do not hesitate to contact us: HullRePublic@gmail.com
